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Bach
Bach, Magnificat BWV 243: Et Misericordia
Mélisande
2:20 Est. Play
Time
35 Measures
1,143Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 25 0 10 3 100%
Violin Treble 21 1 8 4 89%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 25 0 10 3 100%
Violin Treble 21 1 8 4 89%
Treble 18 5 7 4 89%
Viola 21 0 9 4 89%
A Treble 16 0 6 3 74%
T Treble 15 2 5 3 74%
 
BWV 243 10.Suscepit Israel
aspasd
1:51 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I.		 Treble 16 0 4 5 100%
Violoncelo Bass 18 0 4 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I.		 Treble 16 0 4 5 100%
Violoncelo Bass 18 0 4 3 100%
Alto. Treble 14 0 4 5 97%
Soprano
II.		 Treble 15 0 5 5 89%
Oboe
I./II.		 Treble 7 0 0 1 78%
 
Petite Priere
Christopher Constance
0:55 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 8 0 0 3 100%
Alto Treble 8 0 0 3 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 8 0 0 3 100%
Alto Treble 8 0 0 3 96%
Tenor Treble 9 0 0 3 92%
Bass Bass 6 0 0 2 79%
 
1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 13 0 2 4 100%
Contrabass Bass 10 0 2 3 50%
 
Erfüllet, ihr himmlischen göttlichen Flammen. BWV 1 # 3. Soprano Aria, J.S. Bach.
SDG
5:01 Est. Play
Time
85 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe
di
caccia		 21 0 6 6 100%
Continuo Bass 22 0 7 3 99%
Soprano 19 0 7 3 59%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe
di
caccia		 21 0 6 6 100%
Continuo Bass 22 0 7 3 99%
Soprano 19 0 7 3 59%
 
Schenker graph test - Bach
Nicolas
0:03 Est. Play
Time
1 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 2 67%
Bass 12 0 0 2 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 2 67%
Bass 12 0 0 2 67%
 
Bach preludium #1: Orchestral version
Marcosà
2:22 Est. Play
Time
35 Measures
1,267Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 11 0 3 4 97%
Violin Treble 16 0 4 3 89%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 11 0 3 4 97%
Violin Treble 16 0 4 3 89%
Violoncello Bass 10 0 2 2 74%
Flute Treble 16 0 3 3 69%
B
Clarinet		 Treble 15 0 5 1 51%
Bassoon Bass 7 0 0 1 46%
Contrabass Bass 7 0 2 1 43%
F
Tuba		 Bass 5 0 0 1 37%
Trombone Bass 11 0 1 3 37%
Horn Treble 8 0 4 2 34%
Harp Treble 15 1 2 2 31%
Bass 9 1 1 5 21%
B
Trumpet		 Treble 9 0 3 1 20%
Oboe Treble 4 0 1 2 20%
Timpani Bass 7 0 1 3 20%
 
(WIP) Concerto in A minor for four harpsichords, BWV 1065 - 3. Allegro
Erisceres
1:30 Est. Play
Time
123 Measures
1,390Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 19 0 6 4 100%
Violoncello Bass 22 0 7 4 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 19 0 6 4 100%
Violoncello Bass 22 0 7 4 100%
Viola 18 0 6 5 92%
Violin
II		 Treble 20 0 6 5 91%
Violin
I		 Treble 22 0 5 5 89%
Harpsichord
I		 Treble 26 1 8 4 84%
Bass 24 2 8 3 87%
Harpsichord
IV		 Treble 20 5 6 4 74%
Bass 22 3 8 3 70%
Harpsichord
III		 Treble 21 5 6 4 71%
Bass 23 4 6 3 71%
Harpsichord
II		 Treble 23 1 8 4 63%
Bass 20 1 3 4 63%
 
12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Bass 16 0 3 4 100%
Bass 16 0 3 4 100%
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 14 0 2 2 50%
 
I carry your heart
Haggie42
1:09 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 4 7 100%
Treble 22 1 4 2 50%
Bass 18 24 5 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 4 7 100%
Treble 22 1 4 2 50%
Bass 18 24 5 4 50%
 
Twinkle, Twinkle, Little Star
Dhoelz123
1:16 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 6 0 2 1 100%
Bass 6 0 2 1 75%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 6 0 2 1 100%
Bass 6 0 2 1 75%
 
338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Treble 12 0 1 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Treble 12 0 1 4 100%
Bass 14 0 1 4 100%
Bass 14 0 1 4 100%
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 14 0 1 4 100%
Contrabass Bass 9 0 1 3 50%
 
19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.
SDG
0:41 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
Bass 19 1 4 6 100%
Bass 19 1 4 6 100%
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 19 1 4 6 100%
Contrabass Bass 15 0 2 3 50%
 
8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 2 100%
Treble 13 0 2 2 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 2 100%
Treble 13 0 2 2 100%
Bass 18 0 3 2 100%
Bass 18 0 3 2 100%
Soprano/Alto Treble 13 0 2 2 100%
Tenor/Bass Bass 18 0 3 2 100%
Contrabass Bass 11 0 2 2 50%
 
25. Auf meinen lieben Gott, J.S. Bach, BWV 148.
SDG
0:38 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 4 100%
Treble 12 0 2 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 4 100%
Treble 12 0 2 4 100%
Bass 15 0 3 5 100%
Bass 15 0 3 5 100%
Soprano/Alto Treble 12 0 2 4 100%
Tenor/Bass Bass 15 0 3 5 100%
Contrabass Bass 11 0 2 3 50%